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	<title>SLAB Magazine &#187; Thessaloniki – Greece</title>
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	<description>The Heuristic Journal for Gonzo Blurbanism</description>
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		<title>Stacked</title>
		<link>http://www.slab-mag.com/2009/04/27/stacked/</link>
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		<pubDate>Mon, 27 Apr 2009 20:09:39 +0000</pubDate>
		<dc:creator>I.W.</dc:creator>
				<category><![CDATA[Buildings]]></category>
		<category><![CDATA[Thessaloniki – Greece]]></category>

		<guid isPermaLink="false">http://www.slab-mag.com/?p=1181</guid>
		<description><![CDATA[
An important aspect of Syd Mead’s artistic vision for Ridley Scott’s Blade Runner was a future in which things weren’t futuristic by virtue of their being new, but futuristic because the future adapted, or retrofitted the past. Aerial shots showed wedged-shaped buildings of enormous size, whilst street-views tended to show columned porches or stone pedestals. [...]]]></description>
			<content:encoded><![CDATA[<p><img src="http://www.slab-mag.com/wp-content/uploads/2009/04/hotel_thessaloniki.jpg" alt="" title="" width="450" height="600" class="alignleft size-full wp-image-1180" /></p>
<p>An important aspect of Syd Mead’s artistic vision for Ridley Scott’s <em>Blade Runner</em> was a future in which things weren’t futuristic by virtue of their being new, but futuristic because the future adapted, or retrofitted the past. Aerial shots showed wedged-shaped buildings of enormous size, whilst street-views tended to show columned porches or stone pedestals. It looked as though the new had simply been built on top of the old.</p>
<p>In Greece’s northern city of Thessaloniki, the same can be seen in the A.D. Imperial Palace Hotel. The lower floors seem to be an entire neo-classical structure, whilst the upper floors are an unapologetic modern addition. The hotel’s website seems to highlight two good reasons for this: mandatory earthquake protection measures make it structurally possible, and penthouse rooms offer a view of both the harbour and the mountains.</p>
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